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Marc Erwin Babej : ウィキペディア英語版 | Marc Erwin Babej
Marc Erwin Babej (born March 30, 1970) is a German-American photographer and writer. His elaborately staged works focus on subject matter in history and social science. ==Life and career== Babej was raised in Bad Homburg, Germany and graduated from Brown University (A.B., History, 1992) and Columbia University Graduate School of Journalism (M.Sc., 1993). He worked as a reporter Forbes Magazine, while also writing criticism for the arts sections of Corriere della Sera, Die Zeit, Die Weltwoche and The Guardian. In 1995, he became a marketing strategist and writes the (Strategic Marketing ) column for Forbes. Babej's photographic series focus on conflicting belief systems in history, politics and science. ''Mask of Perfection'' (2012) examined the tensions between natural beauty and the "scientific" approach to beauty practiced in plastic surgery.〔(American Photo feature on ''Mask of Perfection'' ), November 10, 2014〕 His subsequent works have examined the after-effects of historical events such as the collapse of the Soviet Union in ''Chernogirls'' and the Roman heritage of Tunisia in ''Africanae''.〔(Der Spiegel feature on ''Chernogirls'' ), December 17, 2013〕〔(American Photo: Marc Erwin Babej's Cinematic Exploration of Tunisian Society ), September 15, 2014〕 ''Mischlinge'' focuses on the impact of the Nazi era on definitions of national identity in the Federal Republic of Germany, combining images with genealogical DNA tests of the cast members and writings by himself, historian Thomas Kühne and Cem Özdemir, co-chairman of Alliance '90/The Greens.〔(Using Nazi Settings and DNA Tests, Jewish Photographer Quashes 'the Fiction of German Blood' ), Dezember 29, 2014〕
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